It was the evening before the day appointed for his coronation, and the young king remained alone in his magnificent room. All his courtiers had requested permission to withdraw, bowed to the ground according to etiquette, and departed to the great hall of the palace to receive certain final instructions from the master of ceremonies.
The sixteen-year-old king was not at all grieved by their departure. With a sigh of relief he threw himself upon the soft cushions of his embroidered bed and lay there, with an unmoving gaze and widely opened mouth, like a forest creature just captured by hunters.
And indeed, it was hunters who had found him; they had come upon him by chance when he, half-naked, with a flute in his hand, was following the herd of goats belonging to a poor shepherd, whose son he had always believed himself to be. He was the child of the old king's only daughter, the fruit of her secret marriage with a man far beneath her in birth—a foreigner who, by the magical power of his lute, had compelled the princess to love him; according to others, he was an artist from Rimini, honored by the princess, who suddenly disappeared, leaving unfinished a work upon which he had been laboring in the cathedral. At merely eight days old, the child was taken from his mother while she slept and entrusted to the care of a peasant and his wife, who had no children of their own and lived in a remote part of the forest. Grief, as the court physician declared—or, as some supposed, a potent Italian poison administered in wine—killed the pale princess who had borne him within an hour of her awakening; at the very moment when the faithful messenger, having carried the child on the bow of his saddle, dismounted from his weary horse and knocked upon the rough door of the shepherd, the princess's body was lowered into the bottom of a pit dug in an abandoned cemetery, far beyond the city gates, into a grave where already lay, so it was said, the corpse of the young stranger, unspeakably beautiful, with his hands bound behind his back with rope and his chest covered with many wounds.
Thus, at least, they whispered secretly from ear to ear. What was certain was that the old king, on his deathbed, compelled by the reproaches of conscience to recall his guilt, or perhaps simply unwilling that the kingdom should pass into alien hands, had ordered the boy to be sought out and, in the presence of the council, acknowledged him as his heir.
And it seemed that from the very moment of this acknowledgment the boy displayed signs of that strange attraction to beauty which was destined to exert such enormous influence over his entire life. Those who accompanied him through the chambers assigned to him often spoke of the exclamations that burst from his lips when he beheld the beautiful garments and rich jewels prepared for him, and of the joy, almost wild, with which he cast off his coarse leather shirt and his heavy cloak of sheepskin. Sometimes, of course, he missed the beautiful, free life of the forest, and the tedious court ceremonial, occupying so many hours each day, irritated him. But the wonderful palace—Joy was its name, of which he was now master—seemed to him a new world of pleasures created for him, and as soon as he could escape from the council or the audience hall, he would rush down the great staircase with its gilded bronze lions and sparkling porphyry steps and wander from hall to hall, from corridor to corridor, as though seeking in the contemplation of beautiful things a remedy for his sorrows, a consolation for his recovery.
On these journeys, as he called his walks through the palace—indeed, they were for him true journeys in a land of wonders—he was sometimes accompanied by slender pages with fair hair, in flowing cloaks, with ribbons fluttering merrily. But more often he walked alone, feeling, so to speak, instinctively, by a kind of penetration, that the mysteries of art are best comprehended in solitude, and that beauty, like wisdom, is more profoundly contemplated in seclusion.
Amazing stories were told about the boy. It was said that one stout burgomaster, intending to present a grand address from his fellow citizens, found him on his knees, in an attitude of prayer, before a large picture sent from Venice. On another occasion he vanished for many hours, and after a long search he was discovered in a small room of the northern turret of the palace, contemplating, as if in ecstasy, a precious Greek gem depicting Adonis. He was seen covering with hot kisses the marble brow of an ancient statue, unearthed in the bed of a river during the construction of a bridge and representing, as the inscription stated, the Bithynian slave of Hadrian. He spent whole nights watching the play of moonlight upon the silver statue of Endymion.
All rare and precious things utterly enchanted him, and, in his unconquerable desire to acquire them for himself, he sent emissaries to foreign lands: now to buy amber from the stern fishermen of the Northern Sea; now to Egypt to seek that marvelous green turquoise found only in the tombs of pharaohs and attributed with magical properties; now to Persia for silk and clay vessels; now to India for gauze, ivory, moonstone, jade bracelets, sandalwood, blue enamel, and fine woolen shawls.
Yet what occupied him most of all was the attire he was to wear on the day of his coronation: the purple robe woven with gold, the crown studded with rubies, and the scepter adorned with rows of pearls. Of these he thought on this evening as he lay upon his magnificent bed, gazing at the thick pine log smoldering in the open fireplace. Designs created by the most famous artists of the time had been presented to him several months earlier, and he had ordered work to proceed day and night to execute them: the whole world had to be traversed to find jewels worthy of adorning the garment. In his mind he saw himself standing before the high altar of the cathedral in sumptuous royal vestments: a smile was born and faded upon his young lips and illuminated his eyes, dark as the forest.
After dreaming for a few minutes, he rose from the bed and, leaning upon the carved hood of the fireplace, looked around him. Twilight had already penetrated the hall. The walls were covered with rich tapestries depicting the triumph of beauty. A huge cabinet inlaid with agate and lapis lazuli occupied one corner, and facing the window stood a small cupboard with lacquered doors sprinkled with gold; upon it rested several delicate goblets of Venetian glass and an onyx cup with dark veins. Pale poppies were embroidered upon the light silken coverlet of the bed, as though they had been scattered there by a hand enfeebled by sleep, and tall, slender columns of ivory supported the canopy, above whose summit rose dense plumes of ostrich feathers, white as foam. An ancient statue of Narcissus, of green bronze, held a mirror above its head. Upon the table stood a low amethyst cup. Through the window one could see the vast dome of the cathedral, vaguely outlined like an enormous sphere above the houses lost in shadow. Far, far away, in the orchard, a nightingale sang. A faint fragrance of jasmine drifted in through the open window. The youth brushed his black curls from his forehead and, taking up his lute, ran his fingers over the strings. His eyelids closed, grew heavy, and an extraordinary weakness seized him. Never before had he felt so penetratingly, so exquisitely, all the charms of beauty.
When the tower clock struck midnight, he rang, and the pages entered. With great ceremony they undressed him, poured rosewater over his hands, and strewn flowers upon his pillow. Almost immediately after they had left the room, he fell asleep.
And he dreamed a dream.
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